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I can't comment on the performance, but should point out that the heavy lifting of interpretation has been done (or should have been done) in rehearsal. I imagine Rattle was trying to motivate playing of the appropriate attitude, something beyond simply playing the notes.
I think the Rattle phenomenon has been largely a British phenomenon. As Rattle himself has admitted, he is overprone to micromanagement and concentration on detail. It is sad that, given this self-knowledge, he hasn't become a less fussy conductor. But I'll always be glad of his Berlin recording of Mahler 10; a real and lasting success.
- Rattle/Mahler - Geoff Diggines September 3, 2016, 11:27 am
- Re: Rattle/Mahler - Ralph Moore September 3, 2016, 3:33 pm
- Re: Rattle/Mahler - Ralph Moore September 3, 2016, 11:26 pm
- Re: Rattle/Mahler - Ford September 5, 2016, 3:02 am
- Re: Rattle/Mahler - geoff diggines September 7, 2016, 9:14 am
- Re: Rattle/Mahler - Sue September 22, 2016, 10:44 pm
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