To the best of my knowledge, having read both magazines regularly for many years, the reviewers who write for publications such as Gramophone and the now-defunct International Record Review never gave details of the equipment on which they auditioned recordings, nor were they asked to do so.
There is no question whatsoever that “information has been denied”. Our reviewer has chosen not to enter into this discussion: such is his right.
The issue appears to have been thoroughly aired and I believe it is time to declare the correspondence closed.
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