Iíve just completed a review of Gimenoís Mahler 4th for Second Thoughts, which should aappear in the next ten days or so. In it, I refer to the two Fischer/Persson recordings (Channel Classics and RCO Live), both of which are my benchmarks for the piece. Without giving too much away, Persson isnít as secure as she once was, but she still shines for Gimeno. As for the restÖ
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