The fact that Mr Fernyhough gives many of his creations titles like Prometheus and Funerailles (1 & 2) (is he a fan of Liszt?) indicates that he doesn't regard them as Choses en Soi (Things in themselves) like Prokofiev in his op.45 but that they are intended to evoke extra-musical associations in his listeners.
Bearing this in mind I listened to Funerailles ( 1 & 2 ) on YouTube but wasn't put in mind of bells at eventide, rustling leaves or even anything funereal.
The best I could conjure up was a couple of Tom-cats exploring the dustbins in some dingy alleway, but the moonlight was, at least, part of the picture. The evocation of the old lady in dressing gown and curlers opening her bedroom window to throw a bucket of water over the moggies which occurs somewhere in the middle of the piece(s) - 1 & 2 seem to form a continuous structure which hasn't been bent by contact so remains an undamaged event-object - was, however, was very moving.
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