I did support the campaign to save the Futurist, so that they could legally challenge the demolition proposals. I have kept in my photos a picture of the demolition of the building, which still upsets me.
So when we’re all moaning and groaning on here about casts for pantos (including me), maybe if we just think that the producers putting on these shows are highly experienced and successful in the business. After all, their livelihood depends on getting it right.
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