By the time he started his work as Columbia house conductor in 1926 he was 58 so his career as theatre conductor and coach was in the past - and had taken place in North and South America (including the Colon) and South Africa more than in Italy. So any records or reminiscences of his teaching would have to be sought there.
His Columbia recordings incude 3 operas plus Respighi's Pini of which we also have Toscanini recordings. Even allowing for a gap of two decades, there would have to be certain features of phrasing and articulation in common if (as some claim) Toscanini actually conducted these recordings. I don't know if any making such claims have made such a detailed analysis - though they would have to bear in mind that Molajoli was conducting an orchestra that regularly played these same works under the Maestro.
It remains in my mind that, decades ago, some of these same issues came up in the Gramophone correspondence columns, where somebody volunteered the information that Molajoli spent his retirement years (1932-9) cultivating vines, but I would have to do an awful lot of rummaging to check this out.
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