Ralph Moore's review mentions initial problems with the sound on this recent recording. As one of the LPC choristers involved who also took part in the performance of Spem in Alium that led - attacca - into the symphony, I may have the explanation. In order to achieve a degree of surround sound for the Tallis, a large number of singers were strung out along the side terraces, some as far back as the walkway between front and rear stalls. The improvement probably coincides with those singers' taking their normal seats for the Mahler later in the movement. I can't say for sure as I haven't acquired the recording; I've quite enough Mahler already!
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