When I wrote Master Twist's message, I referred to Lohengrin instead of Traviata, but at the very last instant, just before posting it, it struck me that Traviata would be a better example, thinking also that I could imagine so vividly how Ralph Moore would do it. Now I know why I could imagine it so vividly!
Thrilled by the forthcoming prospects of Berlioz's Faust and Gluck--nothing I'd enjoy more. Both are among our very favourite composers ("our" because my wife is just as keen on them as I am), and in both cases the discography is full of interesting nooks & crannies--I'm sure that, as usual, there will be some dark horses revealed whose existence I've never suspected.
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