In 1952 the main “draw” was Gretel, Erna Berger who had just finished a belated two-season career at the Met. She was born in 1900 but retained her young-girl voice throughout the 1950s. For me she remains the perfect Gretel. The whole performance under Arthur Rother is well worth hearing and has been available on various CD labels and Youtube. What should have made 1952 listeners suspicious about its date is the Witch, Margarethe Arndt-Ober who was a leading artist with the Met 1913–16!
Youtube also has a 1937 Met performance. But maybe the most “authentic” historical performance of all is Polydor’s Kurzoper from 1929 on eight very long 78 sides, which is also on Youtube and was on Pearl GEM 0155. It is one of a series of operas adapted mercilessly for home use by Hermann Weigert (later Astrid Varnay’s husband) who also conducts. He reduced the first and second acts to not-quite ten minutes each and the third act to twice that by retaining glimpses of key numbers and a minimum of in-between stretches. Somehow he created a coherent narrative without too disturbing clashes of musical keys. We really get a good impression of a possible Berlin cast, with a few singers who were locally famous at the time. Like in all Kurzopern we hear them interact more than in contemporaneous recordings of isolated numbers.
Message Thread Hänsel und Gretel pre-1945 - Nils-Göran Olve December 21, 2024, 8:33 am
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