One last thing about the congestion you hear on the CD in question. I have a mid-level system, but few of my CDs esp. in the opera, choral, and symphonic repertoire, are without it. I'nm surprised that all the advances haven't solved the issue; or is it just me? It CAN be excellent, as somne of the Solti Ring has demonstrated, but it's often ignored in the editing room, I think.
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