On a less frivolous note I observe that none of the recordings I own - Prohaska, Morris and Szell - adopts the same order of the songs and Prohaska gives us thirteen songs one more than Morris and Szell who both recorded twelve. All begin with "Revelge" but, if I'm interpreting the information on the IMSLP site correctly (I haven't downloaded the score but have included a link below) this was omitted from the 1901 revised published version of the score; it appears on the IMSLP site as a separate movement numbered 14.
https://imslp.org/wiki/Category:Mahler%2C_Gustav
Ah - no wonder Prohaska seized the opportunity to do a re-make!
Feeling somewhat abashed that I might have traduced such singers as Rehfuss and Forrester I devoted my monthly period of physical exercise to climbing into my loft to retrieve the LP in question (GL5684). I'm pleased to report that, although Prohaska is the conductor of the Vienna State Opera Orchestra, the singers are Lorna Sydney and Alfred Poell. After giving the record another "Spin" it's clear to me that the problem -for me- is not so much Mr.Poell as Ms. Sydney who I could well believe was Dame Edith Evans, in "Handbag" mode - masquerading under another name. It doesn't help matters that the recording engineers (for the original Vanguard issue) seem to have decided that the ideal position for the microphones was as near to the singers' adenoids as it was possible to be without entirely drowning-out the orchestra.
If you are referring to this one, Jeffrey, then not only would I hope that you will find it far from poor but as I remark in my review of it, Tony Duggan considered it to be a "benchmark recording"! (- and now you can have it in improved sound from HDTT)
https://www.musicweb-international.com/classrev/2022/Sep/Mahler-wunderhorn-4482.htm
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